I think I've discovered the most depressing movie ever made. Ain't
Bambi, ain't
Requiem for a Dream. Ain't ... you know, I can't think of another depressing movie. That part in
Taps where Timothy Hutton dies is pretty sad, but the movie on the whole is meh. Know what else is meh? Using "meh" as an adjective. I need a word-a-day calendar, one that shuns words like "encephalopathy" and instead contains words that are ... good. And usable. And real. Not fake like "meh".
When I was 6 I saw the beginning of
Dr Zhivago, and I haven't seen the rest of it because just the beginning was bleak enough. But that's still not the most depressing movie ever made.
Must Love Dogs was pretty depressing in its criminal misuse of John Cusack and Diane Lane, and specifically Diane Lane's cleavage. What's hilarious is that Cusack's and Lane's characters in
Must Love Dogs both love
Dr Zhivago despite its bleakness; they claim to watch it repeatedly in the hopes that the ending will change, with [Omar Sharif's character] and [Julie Christie's character] reuniting in the end
(I don't know their character's names, I've never watched the movie)-- and see, that's similar to the reason that I watch
Must Love Dogs every time it's on, because I'm hoping that the movie will change and be actually good.
Yep, I think
Must Love Dogs may be more depressing than
Bambi and
Requiem for a Dream.
But there's a movie even more depressing than that. The ne plus ultra of depressing movies:
The Clash: Westway to the World!
It's a documentary about the Clash. In 2000 they interviewed Joe Strummer, Mick Jones, Paul Simonon, and Topper Headon, about the band, the music, the albums, the shows. There's the first reason it's depressing: Joe Strummer is still alive, healthy, and the only man I'd switch teams for. He was good-looking and he was the coolest man ever. And now he's dead. Today in a bookstore I saw a new biography of Joe Strummer, but I couldn't buy it because I'd be too sad to read the last part of the book -- it'd be another
Must Love Dogs, where I'd hope the ending changes miraculously.
Oh, but
Westway to the World: They cut the interview topics into chronological order and inserted brief footage of performances, music videos, behind-the-scenes footage, and candid photos. And there's the second reason it's depressing: From May 28 to June 13, 1981, the Clash played 17 shows at a New York City venue named Bond's Casino. Coincidentally, from May 28 to June 13, 1981, I was a six-year-old boy living right across the river in Maplewood, NJ. If my parents had loved me as much as they claim, they could have taken me to any one of those shows. In many respects, my parents did a fine job of raising me. In this area, they failed me.
So we've established that
Westway to the World is depressing because of unfulfillable homosexual lust and the lasting damage of parental negligence. What pushes
Westway to the World over the top is towards the end, when one of the guys (I forget who it was; it was hours ago!) says that if they'd better managed their personality conflicts, the band could still be together today ... er, in 2000. Before seeing
Westway to the World, I'd never considered a world where the Clash hadn't broken up. Can you imagine how great it would have been if the Clash had stayed together through the 80's and 90's? Sure, they'd end up like the Rolling Stones, making albums of diminishing quality and relevance ... but they would tour and I would see them, thus erasing any lingering resentment I carry toward my parents for not taking me to the Bond's Casino shows. Their tours would be of a much higher profile than Strummer's seemingly occasional work with the Mescaleros, and with Strummer out and about more often I would have a better chance of having a magical night of Vikingly man-on-man action with him. And if they Clash were still together ... er, in 2000 ... more people would see the Rolling Stones for the rock-and-roll dinosaur douchebags they really are, and maybe Johnny Depp wouldn't base his
Pirates of the Caribbean character on a doddering old fool like Keith Richards, but on an awesome cool superhero like Joe Strummer.
And isn't improving lousy movies a worthwhile cause we can all get behind?
Must Love Dogs, I hate you.