I've been really horrible at posting lately. I've got three drafts sitting around, waiting to be finished and posted, but they don't seem worthwhile.
You know what is worthwhile, though?
Method and Red (right-click and save as, yo). If a no-talent like Jim Belushi can star in a low-rated suburban sitcom, why not one of the Wu-Tang Clan? And why not expand the term "special guest star" to include Kenny Loggins and Chaka Khan?
Looking at
Method and Red, I develop a new respect for the Fox tv network. (Not to be confused with a new respect for the Fox News network; they're beyond respectability -- though if Fox News started showing reruns of
Method and Red, we'd have to talk.) People complain about Fox cancelling offbeat, low-rated shows without giving them a chance, but there's something to be said about following a show for three/six/twelve episodes before it disappears.
At least these shows existed (however briefly), and we had a chance to see them (however rarely), and then they disappeared before they could go from to awesome to bad (
Pasadena) or from bad to really bad (
The Tick). It's sort of like that great little restaurant in your neighborhood; you go a couple of times, add it to the list of places where you want to have a wedding reception, and then it closes. It's too bad, but you'll forever have fond memories of those awesome souvlaki pitas.
Yes, I do consider souvlaki pitas to be acceptable for a wedding reception. Yes, I remain unmarried. No, I do not see a correlation.
Oh, speaking of "correlation" -- this week's
Wonder Showzen was amazing. The puppets say they've run out of money to put on the show, so they go to Chinatown and buy a
Wonder Showzen knock-off called
Wondur Showzen/Showzin/Showzoo/Showzey (the knock-offs don't seem preoccupied with consistency). Eventually, the original puppets get annoyed of being ripped off (even though they keep showing the knock-off instead of making their own show) and take up arms:
"We're gonna rain terror slaw down on 'em! You stupid bastards! They come at us with war, we hit 'em with Armageddon. They come at us with Armageddon, we hit 'em with Apocalypse!"
"But Chauncey, Armageddon and Apocalypse are essentially synonymous!"
"They come at us with synonyms, we hit 'em with correlations, analogues, verbal equivalents!"
After John Oates, Corin Tucker, Devendra Banhart, Rick Springfield, and a children's choir sing a song called "War Never Solved Anything", the two shows come to a peace agreement and split the screen 60/40 for the last 5 minutes of the episode. It was reminiscent of the "Patience" episode in the sense that the makers of
Wonder Showzen seem unafraid of alienating viewers in their pursuit of smashing tv conventions. Or maybe they're unafraid of smashing tv conventions in their pursuit of alienating viewers. In that way, it's sort of like Fox: What's the point of [airing only three episodes of a show before cancelling it]/[playing half of an episode, then replaying that half in reverse] if it's only going to annoy viewers? Maybe experimentation and alienation are bound together in their philosophies. Who knows, maybe the executives at Fox
are secretly members of a cult whose beliefs are based in avant garde art and the transgressive scheduling of television programs.
That's right: I said "transgressive" and I meant it. I see little difference between
Joe Dallesandro and
Ryan Seacrest, between
Richard Kern and
Simon Cowell.
Great, now I've got even more respect for the Fox network. Do you see now why I shouldn't update so much?